47622 ˆ»‹Ñ�@Œ³”Å�@�@�@‘S�\ˆê�û Ayanisiki �¼�w�D•¨ŠÙ Nisijin-Orimono kan Œ|䇓° Unsodo ‘å5 1916 ��935,000

32854 �D•¶—ÞŽ[�@�@�@‘S‚P‚O�û Shokumon ruisan ’éš ”Ž•¨ŠÙ•Ò Teikoku Hakubutsukan —L—ד° Yurindo –¾25 1892 ��935,000

13467 ‚«‚ñ—…‚Þ’Ÿ�@�㉺ Kinramu cho “c’†—Eˆê‚Ù‚© Tanaka Yuichi and other Žs‘º‹e’j Ichimura Kikuo ‘å9 1920 ��44,000

5607 ˜`•¶‹@’Ÿ�@‘S‚T�û�@�Ê�F–Ø”Å�  �]”n–± Ema Tsutomu Œ|䇓° Unsodo �º15 1940 ��165,000

13461 �õ�D‘åŠÓ�@ Senshoku Taikan 10vols ’Ò�@�¼‹ª•Ò Tsuji Shokyo Œ|䇓° Unsodo ‘å3 1914 ��198,000

13222 �õ�D‘åŠÏ�@‘S�\�û Senshoku Taikan ’Ò�¼‹ª Tsujimatsu Takashi ’Mˆä‹TŽ¡˜Y Tarui Kamejirou(eds.) ��165,000

13502 �D–ä�}ŠÓ�@‘S‚S�û Orimon Zukan “¡ˆä—Ù“° Fuji Rindo ŽR“cŒ|䇓° Unsodo –¾35 1902 ��55,000

13528 “ú–{–¯Œ|�D•¨‘S�W�@‚S�û Nihon Mingei Orimono Zenshu “c’†‹g”V‰î�iŠÄ�C�j Tanaka Kichinosuke –¯Œ|�D•¨�}ŠÓŠ§�s‰ï Mingei Orimono Zukan Kankoukai �º40 1965 ��49,500

40428 ‹Ñ�JŒõ‰Ø ‰œ‘º’‰“ñ˜Y Okumura Tyujirou ”ª›�“° Happoudo �º14 1939 ��16,500

12977 ‚«‚ñ—…‚Þ’Ÿ�@‘S‚Q�û “c’†—Eˆê Žs‘º‹e’j ‘å9 1920 ��52,800

13944 ‘n�ì�õ�D�}ˆÄ�W Sousaku Sensyoku Zuansyu “¡ˆä’B‹g Fujii Tatsukichi •¶‰ë“° Bungadou �º8 1933 ��55,000

13531 ŒÃ‘ã�A•¨�õ‚ß‚ÌŽÀ�Û Kodaishokubutsuzome no Jissai Œã“¡”ŽŽR Goto Hakuzan ”ü�pŒ¤‹†‰ï Bijyutsu Kenkyukai �º7 1932 ��16,500

13615 “ú–{‚Ì�i�õ�@—ô’n’Ÿ Shiborizome ’|“cŠì•º‰q –¯åY�D•¨š¤ŠÓŠ§�s‰ï ��85,800

10838 ’¿—ô�@�¬–ä�@ŽÀ•¨—ô‚Q‚T“_ ‚R‚S�~‚Q‚S ‘䎆‚Q‚O–‡ ��19,800

11416 ™j•ž�}’Ÿ�@‘S‚R�û Benhuku Zucho Šâ‰ºã¯ �ï Iwasita Kuma Œ|䇓° Unsodo –¾40 1907 ��198,000

10026 ŒÃ‘ã–Ø–È�D—ÞãÚ Kodai Momen Ori Ruishu ’†ˆäŒh”V�• Nakai Keinosuke •U‰® Tawaraya �º10 1935 ��275,000

12819 Žž‘ã—ô�@‘S‚RŠª‰ð�à JIDAIGIRE Old MasterPIeces of Textile Art of The World Vol.1 Œã“¡áÁ‘¾˜Y Goto Shintarou �À‰E›�”Å The ZAUHO PRESS �º11 1936 ��107,800

13036 ��22,000

13785 ŒÃ•zŽÈ’  •s–¾ ��41,800

10458 Žï–¡‚ÌŽè�D–Ø–È�@�@�@�@‘S‚Q�û Shumi no Teorimomen �㑺˜Z˜Y Uemura Rokuro ‹ž“s�‘‰@ KYOTO SHOIN �º35 1960 ��71,500

13468 –¼Žï—ô Meubutsugire �™‘ºŒÎŽR Sugimura Kozan ”ª›�“° Happoudo ��60,500

13491 “ú–{�i�õ—ô’n’Ÿ Nihon Shiborizome Kirejicho ’|“c‰Ã•º‰q�iŠÄ�C�j Takeda Kahe –¯åY�D•¨š¤ŠÓŠ§�s‰ï Mingei Orimono Zukan Kankokai �º45 1970

13501 –¼Žï—ô Meubutsugire �™‘ºŒÎŽR Sugimura Kozan ”ª›�“° Happoudo ��165,000

13514 Žï–¡‚ÌŽè�D–Ø–È�@ˆê�E“ñ Shumino Teorimomen ‘º�ã˜Z˜Y Murakami Rokuro ‹ž“s�‘‰@ KYOTO SHOIN �º35 1960

13532 �—�Ï–FŠÓ�@“ñ�û Jyosho Houkan ��55,000

12987 ‘å˜a–Ø–È•ˆ Yamato Momenfu ’Ò�‡Šì‘㑾˜Y Tsujiai Kiyotarou ˆß�¶ŠˆŒ¤‹†‰ï Koromo Seikatsu Kenkyukai �º41 1966 ��52,800

13568 –¼•¨—ô’Ÿ�@•½ˆÀ�DãÚ Heian Orishu ˆÉ�¨’O Isetan ��9,900

13618 ŒÃ‘ã—ôŽÈ•SŽï Kodaigire Shimahyakusyu ŒÃ‘ã—ôŽÈ•SŽí”Еz˜ð �º7 1932 ��88,000

5199 ”ª�h—ô Hakkou Gire �™‘ºŒÎŽR‚Ù‚© Sugimura Kozan and another ”ª›�“° Happoudo �º14 1939 ��165,000

13466 Žï–¡‚Ì•¶—l�@�ã’†‰º Shumi no Monyou �¼‘º�‰–P Matsumura Suihou “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º7 1932 ��132,000

11302 ‘n‰‘’Ÿ�@�V�l”\žÙ–Í—l�@‘S3�û Soencho Shinko nho gaku moyou Œj—F“¯Š÷˜ð Œ|䇓° �º8 1933 ��275,000

13483 ”\Šy�lŒ`�W Nohgaku NIgyoshu ‰Í�‡�G—ä Kawai Shurei �¡��“V–€“° Tenmado �º6 1931 ��77,000

13504 ”\Šy�}ŠG�@‘O•Ò Nohgaku Zue ŒŽ‰ª�k‹™ Tsukioka Kogyo �¼–{•½‹g Matsuoka Heikichi –¾35 1902 ��165,000

13534 ’²“x•i�}•ˆ�@Š® Chodohin Zufu ’|“à�G•ô Takeuchi shuho “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º8 1933 ��55,000

13642 ”\‹¶Œ¾’Ÿ�@�ã Noh Kyogencho ��27,500

8056 ”\‰æ‘åŠÓ The collection of Noh prints ŒŽ‰ª�k‹™ Tsukioka Kougyo �¸”ü�‘‰@ Seibi Shoin �º11 1936 ��198,000

13456 ”\Žï‚Æ‹¶Œ¾ Nohshu to Kyogen ŽRŒûäø�B Yamaguchi Ryoshu Œ|䇓° Unsodo ��176,000

13503 ”\‰À‰ë�W�@“ñ�û Nohkagami �¼–ì‘t•— Matsuno Sofu Œ|䇓° Unsodo ��165,000

13543 ‚Þ‚·‚Ñ–Í—l�@�㉺ Musubi Moyou ‰ÍŒ´�è�W“´ Kawarazaki Kodo Œ|䇓° Unsodo �º8 1933 ��77,000

13597 ‘n‰‘’Ÿ�@�V�l”\Šy–Í—l Shinko Nohgaku Moyou Œj—F“¯Š÷˜ð Œ|䇓° Unsodo �º8 1933 ��88,000

10027 ŽO�\˜Z‰Ì�å�@‘S“ñ�û Sanju Rokkasen “y‰®�G‰Ñ Tsuchiya Shuka •—‘­ã‰Šªš¤á`Š§�s˜ð ‘å6 1917 ��110,000

11191 —L�EŒ¹Ž�ŠÓ Yusoku Genji Kagami Ž™“ˆ‹Ê–P‰æ Kojima Gyokuho ‹ß“¡”ª›�“° Happoudo �º6 1931 ��165,000

11716 Œ¹Ž�–Í—l‚U‚O–‡ Genji Moyo 60 pieces Œj—F“¯Š÷˜ð Keiyudoukikai Œ|䇓° Unsodo �º8 1933 ��198,000

13462 Œ¹Ž�–Í—l�@‘n‰‘’Ÿ Genji Moyou Œj—F“¯Š÷˜ð Œ|䇓° Unsodo �º8 1933

13527 �VŒä�Š‰ð–Í—l�@‚S�û Shin Goshodoki Moyou ŽR–{�á‰À Yamamoto Sekka Œ|䇓° Unsodo �º8 1933 ��176,000

13571 Œä�Š‘Ü�@�㊪ goshobukuro ‹{�ì‘p•½ Miyagawa Sohei ”ª•ó“° Happoudo �º14 1939 ��41,800

13595 �¬‘q‚Ì‚É‚µ‚«�@•S�lˆêŽñ�}�l Ogurano Nishiki ”Ñ“cŽn�W Iida Shikou Œ|䇓° Unsodo �º10 1935 ��165,000

13628 åbŽèŠG‰Ì�‡ Ashideeutaawase ŽR‰ª’•½ Yamaoka Chinpei ”ª•ó“° Happoudo �º12 1937 ��104,500

13624 �‘Žå•¶—l Kokushumonyou ŽR‰ª’•½ Yamaoka Chinpei ”ª•ó“° Happoudo �º15 1940 ��55,000

6800 ’¥ŒÃ’Ÿ�@�@�@ �@�@‘S�\�û Cho ko Cho ‹g�ì‰ë‹ª Œ|䇓° Unsodo ‘å3 1914 ��104,500

13197 �³“¿‚ЂȌ` Shotoku Hinagata �¼�ì—S�M Nishikawa Sukenobu ��132,000

6368 •‚�¢ŠG�¬‘³•S‘I�@‘S‚T�û Ukiyoe Kosode Hyakusen Žë–ì�G•ô Kano Shuho ”ª›�“° Happoudo �º11 1936 ��132,000

13034 �—Œ`–{�@ˆ×’Ã�X�@�á‚ÌŠª ˆé–ì”~”V—S ˆé–쎻ŠF –¾42 1909 ��55,000

13481 �—Œ`ŠÓ Hinagata Kagami æV•û�@�¶Ž¯ “V–€“° Tenmado ��132,000

13482 –¼�ì�V�—Œ`�@�㉺ Meisaku Shinhinagata ‹g‰ª��•¶�^�z–K‹Ñ�é ”ª•ó“° Happoudo �º10 1935 ��198,000

13511 ‚ЂȂª‚½ŠG�‡‚¹�@‘SŽO�û Hinagata Eawase ‰ÍŒ´�è�W“´ Kawarazaki Kodo Œ|䇓° Unsodo �º13 1938 ��66,000

13586 �—Œ`‚â‚Ö‚É‚µ‚« Hinagata Yaenishiki ‹g�ìŠÏ•û Yoshikawa Kanpo ‹ž“s�¸”ňó�üŽÐ Kyoto Seihan Insatsu-sha �º5 1930 ��11,000

13603 –Í—l�—Œ`“s”T‹Ñ�@‘SŽO�û Moyou Hinagata Miyakono Nishiki ŽR’†‹g˜N•º‰q –¾19 1886 ��165,000

13604 �U‹»�¬‘³�U Shinkou Kosodefuri ‹v•x�‡�^‹g“c‹Ê�é ‹ß“¡”ª•ó“° Happoudo �º8 1933 ��88,000

13029 Š„•t•SŽï ‰ÍŒ´�è�W“´ “à“c”ü�p �º12 1937 ��165,000

13039 �¼�≮ �º8 1933 ��13,200

6804 •¶—l�@‰Ô”TŽu‚Ù—¢ �ã�E’† Ornament�@Hana no shiori ‰ÍŒ´�è�W“´ Kawarazaki Kodo “à“c”ü�p Uchida bijyutu �º9 1934 ��104,500

6863 ‚µ‚Ü•SŽï�@�㉺‚Q�û Shima Hyaku-shu ‰ÍŒ´�è�§“° Kawarazaki Kodo Œ|䇓° Unsodo �º28 1953 ��44,000

9108 ‹vŽõ‹Ê Kusudama ‹{�ì‘p•½ Miyagawa Sohei ”ª•ó“° Happoudo �º8 1933 ��88,000

12153 ‚É‚µ‚«‚©‚½�@ Nishiki kata 3 volumes �¼ˆä“��F Matui Toshu –{“c‰_‹Ñ“° –¾34 1901 ��253,000

13203 ’…ŽÚ‚Æ•ž’n Kijyaku to Fukuji �£”ö“¿Ži Seo Tokushi Œ|䇓° Unsodo �º14 1939 ��55,000

13220 �ç”g–œ”g�@�㉺�@ Senpa Banpa ’|‰º‹à’¹ Takeshita Kincho “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º10 1935 ��66,000

13228 “‚ˆß Karaginu “c”¨�´�] Tabata Kiyoe –{“c‹à”V�• Honda Kinnosuke ‘å7 1918 ��33,000

13463 �V”ü�pŠC�@11�`15�‡–{ Shin-Bijyutsukai�@vol.11-15 ŒÃ’J�g—Ù Furuya Korin ŽR“cŒ|䇓° Unsodo –¾36 1903 ��104,500

13464 �V�}ˆÄ 1�`5�‡–{ Sin-Zuan �_�â‹g—² Kamisaka Yoshitaka ŒÜ“ñ˜ð‹ž“s�}ˆÄ•” Kyoto Zuanbu –¾25 1892 ��104,500

13465 ”ü�pŠC Bijyutsukai ‰ÍŒ´�è�W“´ Kawarazaki Koudou ŽR“cŒ|䇓° Unsodo –¾30 1897 ��242,000

13470 –ؔŒ…ŽÚ�@�¡”T�Ï�@“ñ Imanosho ŠO”gŽR�²Œõ‚Ù‚© Tobayama Seikou “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º7 1932 ��22,000

13471 ‘n‰‘’Ÿ�@Žl‹G‰Ô•Ù”TŠª�@”~ Souencho Shiki kaben no maki Ume Œj—F“¯Š÷˜ð Œ|䇓° Unsodo �º7 1932 ��33,000

13498 �¬‰S’²�@ˆ¢’Öžˆß�@�t Koutacho Aduma goromo ‚ ‚Âܘð“¯�l Adumakai Œ|䇓° Unsodo �º12 1937 ��33,000

13522 ˆÉ’B–ä Datemon ‹{�ì‘p•½ ”ª›�“° Happoudo �º13 1938 ��38,500

13529 Š„•t�¬–ä�W Waritsuke Komonshu �õ�D•¶‰»Œ¤‹†‰ï Sensyoku Bunka Kenkyukai ‹ž“s�‘‰@ KYOTO SHOIN �º43 1968 ��11,000

13548 “s‚̂Ђ©‚è Miyako no Hikari �ã–ì�´�] Ueno Seikou ‹{“c•xŽR“° –¾32 1899 ��99,000

13563 �Ê�ÏŽº Saishoshitsu –Ø‘º‹Ê�ò‚Ù‚© Kimura Gyokusen ”ª•ó“° Happoudo ��198,000

13620 �´Žì‰‘�@‰Ô‚ÌŠÛ �ã–쌤‹†˜ð Ueno Kenkyukai Œ|䇓° Unsodo �º9 1934 ��88,000

13621 �Vˆ»‹Ñ Shinayanishiki �¼‘ºŒÎŒŽ Nishimura Kotsuki ”ª•ó“° Happoudo �º13 1938 ��104,500

13626 ŒOˆß�õ�@�㉺ ”ª•ó“° Happoudo ��63,800

11618 ‚±‚¤‚è‚ñ–Í—l�@�㉺�@�@‘S‚Q�û Korin Moyo ŒÃ’J�g—Ù Furuya Korin Œ|䇓° Unsodo –¾40 1907 ��176,000

13037 Œõ—ԉ效 Korin Gafu ’JŒû��‹ª Taniguchi Kokyou “c’†Ž¡•º‰q Tanaka Jihei –¾24 1891 ��165,000

33061 Œõ—Ô”h‰æ�W�@ ‘S‚T�û Korinha Gashu vol.1-5 �R”ü�‘‰@ Shinbi Shoin –¾36 1903 ��198,000

9699 �}ˆÄ•S‘è�@�@�@�@�@�@�@‘S‚R�û Zuan Hyakudai ‰¬–ìˆê�… Ogino Issui Œ|䇓° Unsodo –¾43 1910 ��275,000

47623 •‚�¢ŠG”h‰æ�W�@‘S‚T�û�@“Á�»–{ Ukiyoe ha gashu ”ü–{ Tajima Siichi �R”ü�‘‰@ Sinbi shoin ‘å7 1918 ��748,000

13845 ŠC˜H Kairo �_�â�á‰À Kamisaka Sekka Œ|䇓° Unsodo –¾36 1903 ��104,500

12859 —®‹…‚Ì�D•¨ –ö�@‰x Yanagi Muneyoshi “ú–{–¯åY‹³˜ð Japanese Mingei Association �º14 1939 ��418,000

12863 —®‹…‚ÌŒ`•� ‹ÚàVŒ\‰î “ú–{–¯åY‹¦‰ï �º18 1943 ��473,000

11563 Žl‹G‰ž—p�}ˆÄ•S‘I�@‘S‚S�û Shiki Oyo Zuan Hyakusen ‰ÍŒ´�è�W“´ Kawarazaki Kodo “à“c”ü�p Uchida Bijutsu Shoshi �º8 1933 ��275,000

12138 ‚Í‚È”³ Hana Ikada ŒÃ’J�g—Ù Furuya Korin Œ|䇓° Unsodo –¾40 1907 ��104,500

30197 ‹e•SŽï�@�@�@�@�@�@‘S‚Q�û�@›ã Kiku hyaku shu ‰ÍŒ´�è�W“´ Kawarazaki Kodo “à“c”ü�p UchidaBijyutu �º11 1936 ��165,000

6869 �ÛŒ`‰Ô™Á’Ÿ�@�iˆê�j�@‰²’O Shokei Kaki Cho 1 Botan ’J�ãœA“ì Tanigami, Kounan Œ|䇓° Unsodo ‘å12 1923 ��330,000

6895 ‘n�ì”ʼnæ�@‰Ô‰æ “à“c”ü�p Uchida Bijutsu Shoshi �º6 1931 ��550,000

7466 ‹ž‰Ø�}ˆÄ�@�@�@�@‘S‚T�û Kyoka Zuan ’·’J�ìŒ_‰Ø�^ŒÃ’J�g—Ù Hasegawa Keika Œ|䇓° Unsodo –¾30 1897 ��132,000

20381 ‰Ô�P�@‚Í‚È‚ª‚³‚Ë Hanagasane Žs“c–íˆê˜Y•Ò Ichida Yaichiro –¾31 1898 ��143,000

11856 ‰ÔâÄ‰ÔŽÔ Hanakago Hanaguruma ’|‰º‹à‰G Takeshita, Kin-u “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º9 1934 ��198,000

12422 ⹎q�¶‰æ‘I�@‘S‚R‚U–‡ “y‰®ŠyŽR �º9 1934 ��825,000

12423 ‘n�ì”ʼnæ�@ä݉؉效 �¬ŒI”ü“ñ ‘åŠâ‰ë�ò“° �º10 1935 ��275,000

13472 ‰Ôˆß�@ˆê Hanagoromo –¾ ��132,000

13479 Žl‹G‰Ô•Ù•¶—l�@‹e”TŠª Shiki Kabenmonyou —ŒŽ�˜ð Rakushikai “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º14 1939 ��33,000

13480 Žl‹G‰Ô•Ù•¶—l�@‹Ë”TŠª Shiki Kabenmonyou Kiri —ŒŽ�˜ð Rakushikai “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º14 1939 ��33,000

13486 ‰ÔŠÛ–Í—l•SŽï�@‰º Hanamaru Moyou Hyakushu ‰ÍŒ´�è�W“´ Kawarazaki Koudou “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º14 1939 ��27,500

13507 Žl‹G–Í—l•SŽí Shiki Moyou Hyakushu ‰ÍŒ´�è�W“´ Kawarazaki Kodo “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º13 1938 ��22,000

13526 ’P�ʉ效�@ˆê Tansai Gafu ‹ž‹´‘�Žs Kyobashi Masuichi ”ª•ó“° Happoudo �º9 1934 ��66,000

13546 ‚Í‚È‚ª‚½ Hanagata ŽR‰ºŒõ™A Yamashita Kosen ‹{“c•xŽR“° –¾32 1899 ��52,800

13623 Žl‹G‰Ô•Ù”TŠª�@ Shiki kaben no maki Œj—F“¯Š÷˜ð Œ|䇓° Unsodo �º ��88,000

28846 Žl‹G‚Ì‰Ô SHIKI NO HANA(the Seasonal Flowers) Žðˆä•øˆê�A—é–Ø‘´ˆê‚ç Sakai Hoitsu and others Œ|䇓° Unsodo –¾41 1908 ��385,000

12143 Žl‹G‰Ô™Á•¶—l�@‰Ä‘��@�㉺‚Q�û —ŒŽ�‰ï•Ò Rakushikai(eds.) “à“c”ü�p Uchida Bijutsu Shoshi �º14 1939 ��93,500

13544 Œ_‰Ô•S‹e�@�d”Å�@�@�@�@‘S‚R�û Keiak Hyakugiku ’·’J�ìŒ_‰Ø Hasegawa Keika Œ|䇓° Unsodo �º29 1954 ��71,500

13627 ‚¿‚­‚³‚ÌŒO Chikusa no Kaoru �‚‹´‘�ˆê•Ò Takahashi Masuichi(eds.) �º7 1932 ��198,000

13448 “Œ�¼�õ�D•¶ Textile of Oriental and Occident �]”n�i�^�]”n–±�iŠÄ�C�j Ema Susumu ‹ž“s�‘‰@ KYOTO SHOIN �º26 1951 ��110,000

13469 �ÜŽ†–Í—l�@‰º Origami Moyou ‰ÍŒ´�è�W“´ Kawarazaki Kodo Œ|䇓° Unsodo �º10 1935 ��49,500

13473 ŽÈ�çŽí�@�ã’†‰º Shimachikusa ŒÃ’J�g—Ø Furuya Korin Œ|䇓° Unsodo –¾42 1909 ��132,000

13474 �]ŒËŽž‘ã�@’c�î�W Edojidai Uchiwashu •Ÿ‰ª‹Ê™A Fukuoka Gyokusen ŠÝ�²ˆê Kishi Saichi ‘å14 1925 ��60,500

13475 ãÚ‹_’Ÿ�@—´”VŠª Shugicho ‰ÍŒ´�è�W“´ Kawarazaki Kodou Œ|䇓° Unsodo �º9 1934 ��93,500

13477 ‚µ‚Ü•SŽï Shima Hyakushu ‰ÍŒ´�è�§“° Kawarazaki Shodo Œ|䇓° Unsodo �º28 1953 ��44,000

13478 �…•SŽï�@�㉺ Mizu Hyakushu ‰ÍŒ´�è�W“° Kawarazaki Shodo “à“c”ü�p�‘ãæ Uchida Bijutsu Shoshi �º11 1936 ��55,000

13524 ”gŸ· Hatou •U‰®�@’B Tawaraya Sotatsu Œ|䇓° Unsodo –¾42 1909

13525 ãÚ‹_’Ÿ�@‘S“ñŠª Shushicho ‰ÍŒ´�è�W“´ Kawarazaki Kodo Œ|䇓° Unsodo �º9 1934 ��93,500

13535 –¼‰Æ•S�î‰æ•ˆ�@ŽO�û Meika Hyakusen Gafu Œ|䇓° Unsodo ��55,000

13559 ’[ŒßŠß‹ï�W�@�㉺ Tangogangushu �¼àV“J�¤ Nishizawa Tekiho Œ|䇓° Unsodo ‘å14 1925 ��38,500

13594 �‘‰ê�î Kokugasen ŽR‰ª’•½ Yamaoka Chinpei ”ª•ó“° Happoudo ��110,000

13640 “J�¤‰æ”Œ�@Œä�Š�lŒ`�\“ñ‘è Gosyo Ningyo 12dai �³“c�¸ Masada Sei Œä�Š�lŒ`�\“ñ‘芧�s‰ï �º13 1938 ��66,000

13645 —L�EŠß‹ï�@ˆê ãÚ�W˜ð Shushukai Œ|䇓° Unsodo �º9 1934 ��44,000

13641 —L�EŠß‹ï�@Žl ãÚ�W˜ð Shushukai Œ|䇓° Unsodo �º10 1935 ��44,000

9852 ‘å“ú–{�D•¨“ñ�ç˜Z•S”NŽj Dainihon Orimono 2600 nenshi ‘å“ú–{�D•¨�V•·ŽÐ Dainihon Orimono Shimbunsha �º15 1940 ��10,450

13593 ŽÀ—p�@�D•¨‚ÌŒ¤‹†�@“ñ�û The Research of Weaving �¼‘º‰v Nishimura Masu “ú–{�D•¨Œ¤‹†‰ï Nihon Orimono Kenkyukai �º25 1950 ��22,000

12900 ‚«‚à‚̃mŠG–{ ’†Œ´�~ˆê ‚Ђ܂í‚èŽÐ �º21 1946 ��27,500

13007 �õ�D•¨•W–{ “ú–{�õ�D•¨•W–{ŽÐ “ú–{�õ�D•¨•W–{ŽÐ �º13 1938 ��11,000

13495 “ú–{‚Ì“`“��F�Ê The Japense Traditional Colors ’·�è�·‹P Nagasaki Seiki ‹ž“s�‘‰@ KYOTO SHOIN �º63 1988 ��2,200

47639 “`“�‚Ì�õ˜aŽ†�@�@ Dento no Some Washi ‹g‰ª�í—Y Yoshioka Tsuneo Ž‡�gŽÐ SHIKOSHA PUBLISHING CO., LTD. �º52 1977 ��38,500

18180 “ú–{�F–¼‘åŠÓ Nihon Shikimei Taikan(The Dictionary of Japanese Color) �㑺˜Z˜Y Uemura Rokuro �õ�D‚Æ�¶ŠˆŽÐ SENSHOKU TO SEIKATSUSHA PUBLISHING CO. �º51 1976 ��55,000

11187 ‘�Ž†•¶—l�W Soshi Monyo Shu ��165,000

13490 ‰¤’©‚Ì�Ê�ü�@�HŒ|”Å Ocho no Saisyoku Kougei ver. “Œ‹ž”ü�p �º44 1969 ��41,800

13492 �]ŒË‚Ì�Ê�ü Edo no Saisyoku �‚“‡�G‘¢ Takashima Shuzo “Œ‰®”Å �º48 1973 ��33,000

13494 ‘�–Ø�õ“ú–{‚Ì�F Kusaki Zome--Japanese color ŽR�è�ÂŽ÷ Yamazaki Seijyu ”ü�p�o”ÅŽÐ BIjutsu Shuppan-Sha Co., Ltd �º47 1972 ��55,000

13499 �ç‘㎆•SŽí�@’ß Chiyogami Hyakushu œA�£‹e—Y Hirose Kikuo ˆÉ“¡’C�¤“X Ito Tatsu ‘å11 1922 ��66,000

13519 ‰ï’Ö{‹½––—q�´ Aidu Hongo Sueyousyou ‘ë“c�€ˆê‚Ù‚© Takita Koichi and Others ‰ª‘º‹g‰E‰q–å Okamura Kichiuemon �º31 1956 ��41,800

13545 Œ^�õ—Ó•[�W Katazome Rinpyo shu ‹Ú‘òŒ\‰î Serizawa Keisuke �XŒû‘¾˜Y Moriguchi Tarou �º35 1960 ��49,500

13551 Œ^�õ�¬•i�W�@“ñ Katazome Shohinshu 2 ‹Ú‘òŒ\‰î Serizawa Keisuke �XŒû‘¾˜Y Moriguchi Tarou �º30 1955 ��22,000

13550 Œ^�õ�¬•i�W�@ŽQ ‹Ú‘òŒ\‰î Serizawa Keisuke �XŒû‘¾˜Y Moriguchi Tarou �º35 1960 ��19,800

13592 ‚©‚³‚Ë‚Ì‚¢‚ë‚ ‚¢ Kasane no Iroai �¼�w�õ�DŒ¤‹†‰ï Nishijin Sensyoku Kenkyukai �º6 1931 ��38,500

13647 “Þ—Ç”Ž——‰ï•¨•i–Ú˜^ Nara Hakurannkai Buppin Mokuroku �¼‹žà…•¶“°ˆó�s –¾8 1875 ��99,000

32788 “`“�‚Ì�F�@–{ŒÃ—ˆ‚Ì�õ‚ß�F‚̉𖾂ƕœŒ³ Dento no Iro(Japanese Traditional color) ‹g‰ª�í—Y Yoshioka Tsuneo Œõ‘º�„ŒÃ�‘‰@ Mitsumura Suiko Shoin �º48 1973 ��88,000

13622 ‹Ê”V—V”ä Tamanoasobi —Y�ì‹u•á Ogawa Kyuho ��77,000

13497 �‚—Y—ô Takaogire ‘åŠÛ•S‰Ý“X Daimaru Department Store �º42 1967 ��6,600

13561 ŠGãR Egasuri �D“c�G—Y Oda Hideo ŽO�ÊŽÐ Sansaisha �º41 1966 ��2,200

13625 �W�¬–¼‰æ’Ÿ�@Žë–ì”h Shusei Meigasho Kanoha ��88,000

13521 ‹ß‘ã—F‘T Kindai Yuzen –Ø‘º‹Ê™A�^�™‘ºŒÎŽR Kimura Gyokusen/Sugimura Kozan ƒ}ƒŠƒA‰æ–[ Maria gabou ��19,800

13797 �ã•i‰ï Jyoubon kai Shaei �‚“‡‰® Takashimaya ƒ}ƒŠƒA�‘–[ Maria Shobo ��49,500

13927 Œà•ž‘¾•¨�¤�@–Ø”Å�  ˆøŽD ��16,500

13928 Œà•ž˜a—m”½•¨�@ŒÃ’J�¤“X ˆøŽD ��11,000

13929 ‚«‚à‚̈øŽDŒ©–{’  ˆøŽD ��11,000

13930 äÝ�õ•¨Ž»ŠF�ˆ ˆøŽD ��8,800

13931 –ä‚ÌŽu‚¨‚è ˆøŽD

13932 ŒÃ’˜Žd“ü�ˆ•À‚ÉŒà•ž�ˆ ˆøŽD ��9,900

13933 �”�F�õ�ˆ�@–Ø”Å�  ��16,500

13934 Ž‡�”�F�õ�Š�@—ï•t ˆøŽD ��11,000

13935 äÝ�õ•¨�Š ˆøŽD ��11,000

13936 Œà•ž‘¾•¨�¤ˆøŽD ˆøŽD ��9,900

13937 �”�F�õ�ˆ�@–Ø”Å�  ˆøŽD ��16,500

13938 Œà•ž�õ•¨Ž»ŠF�ˆ ˆøŽD ��11,000

13939 Œà•ž‘¾•¨—m’[•¨�¤�@—ï•t ˆøŽD ��8,800

13940 ‚Ý‚Æ‚è‚⑾•¨“X ˆøŽD ��19,800

13941 Œà•ž—m”½•¨�¤ ˆøŽD ��13,200

13942 Œà•ž‘¾•¨Žd—§�¬‘³�¤ ˆøŽD ��11,000

13558 ‘ä˜[�}ˆÄ‰ï�@‘æŽl‰ñ�ì•i“W——‰ï�}˜^ Dairoku zuankai 4 ‘ä˜[�}ˆÄ‰ï Dairokuzuankai Œ|䇓° Unsodo ‘å11 1922 ��5,500

13232 Relais 1930 Edouard Benedictus Editions Vincent, Freal et Cie �º5 1930 ��330,000

13233 VARIATIONS Benedictus Librarie Centrale Des Beaux-Arts ‘å13 1924 ��242,000

13234 Nouvelles Compositions Decoratives Serge Gladky Editions Art Charles Moreau �º5 1930 ��66,000

13235 Compositions Couleurs Idees Sonia Delaunay Editions D'Art Charles Moreau ��165,000